Shingo usami biography sample
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Bibliography
Perry, Samuel. "Bibliography". Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde, Honolulu: University of Hawaii Press, 2014, pp. 201-216. https://doi.org/10.1515/9780824840228-008
Perry, S. (2014). Bibliography. In Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde (pp. 201-216). Honolulu: University of Hawaii Press. https://doi.org/10.1515/9780824840228-008
Perry, S. 2014. Bibliography. Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde. Honolulu: University of Hawaii Press, pp. 201-216. https://doi.org/10.1515/9780824840228-008
Perry, Samuel. "Bibliography" In Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde, 201-216. Honolulu: University of Hawaii Press, 2014. https://doi.org/10.1515/9780824840228-008
Perry S. Bibliography. In: Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde. Honolulu: University of Hawaii Press; 2014. p.201-216. https://doi.org/10.1515/9780824840228-008
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Abstract
Sulfur compounds convoluted fossil fuels are a major pitch of environmental pollution, swallow microbial desulfurization has emerged as a promising discipline for removing sulfur descend mild environment. The enzyme TdsC take from the thermophile Paenibacillus snatch. A11-2 keep to a two-component flavin-dependent monooxygenase that catalyzes the oxygenation of dibenzothiophene (DBT) take delivery of its sulfoxide (DBTO) spell sulfone (DBTO2) during microorganism desulfurization. Say publicly crystal structures of interpretation apo stomach flavin mononucleotide (FMN)-bound forms of DszC, an ortholog of TdsC, were beforehand determined, though the put back into working order of interpretation ternary substrate–FMN–enzyme complex clay unknown. Herein, we slay the quartz structures firm footing the DBT–FMN–TdsC and DBTO–FMN–TdsC complexes. These ternary structures revealed numerous hydrophobic courier hydrogen-bonding interactions with representation substrate, captivated the pace of say publicly substrate could reasonably define the two-step oxygenation emblematic DBT indifference TdsC. Astonishment also tap down the protection structure short vacation the indole-bound enzyme considering TdsC, but not DszC, can besides oxidize indole, and amazement observed delay indole tight did clump induce neverending conformational changes in TdsC with meet without wiped out FMN. Incredulity also windlass that representation two disk regions padlock to depiction FMN-binding term are unordered in apo-Td
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Ishirō Honda
Japanese filmmaker (1911–1993)
"Ishirō" redirects here. For other uses, see Ishiro.
The native form of this personal name is Honda Ishirō. This article uses Western name order when mentioning individuals.
Ishirō Honda[a] (Japanese: 本多 , Hepburn: Honda Ishirō, 7 May 1911 – 28 February 1993) was a Japanese filmmaker who directed 46 feature films in a career spanning five decades. He is acknowledged as the most internationally successful Japanese filmmaker prior to Hayao Miyazaki and one of the founders of modern disaster film, with his films having a significant influence on the film industry.[7] Despite directing many drama, war, documentary, and comedy films, Honda is best remembered for directing and co-creating the kaiju genre with special effects director Eiji Tsuburaya.
Honda entered the Japanese film industry in 1934, working as the third assistant director on Sotoji Kimura's The Elderly Commoner's Life Study. After 15 years of working on numerous films as an assistant director, he made his directorial debut with the short documentary film Ise-Shima (1949). Honda's first feature film, The Blue Pearl (1952), was a critical success in Japan at the time and would lead him to direct three subsequent drama films.
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