Jan werner bio
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Jan St. Werner
Jan St. Werner is a critically acclaimed and internationally recognized sound innovator. In a myriad of ways – as a solo artist, a collaborator, through his group Mouse On Mars, as a producer, as a lecturer at MIT, or as a professor of Dynamic Acoustic Research at the Academy of Fine Arts, Nuremburg - Werner has challenged traditional approaches to creating and experiencing music. The sixth installment of his Fiepblatter Catalogue series, Glottal Wolpertinger, endeavors to transcribe the phenomenon of sound as anarchic and highly sensitive material. His multilayered presentation of the project highlights the ways in which sound and music can fluctuate and re-constitute depending on context all within one consistent work. In keeping with the series’ collaborative nature, the pieces include contributions from guitarists Aaron & Bryce Dessner of The National, who Werner also collaborated with on Mouse On Mars’ Dimensional People, and The National’s Sleep Well Beast and I Am Easy To Find.
Glottal Wolpertinger was initially conceived as a radio installation for documenta 14, the world's most renowned event for contemporary
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Jan Werner is the name of more than one artist:
1) Norwegian pop rock musical opera singer
2) a game music remixer
3) a German DJ
1) Jan Werner Danielsen, artist name Jan Werner, (April 10, 1976, Nord-Odal – September 29, 2006, Oslo) was a Norwegian pop rock singer, famous for his grand, powerful voice. His breakthrough came after winning two important talent contests, the last time on national television and the show Talentiaden (NRK) in 1994.
He was one of the highest selling recording artists in Norway at his death at the age of 30.
Danielsen won his first talent show victory in 1988, at the age of twelve. The first prize was a record deal. Then he had already been singing for two thirds of his lifetime, as his first public appearance in a musical setting was at the age of just four.
For several years after this victory, between 1988 and 1993, he sang regularly with the Hamar Symphony Orchestra. In 1992, Danielsen was cut his second record deal, and at the same time was included in the plans for cultural events during the 1994 Winter Olympics at Lillehammer.
1994 was a busy year for Danielsen. First there was his appearance at the Olympics, then the Talentiaden victory, and finally representing Norway in the Eurovision Song Contest 1994 singing a duet with Elisabeth &
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Best known rightfully one portion of depiction innovative Germanic electronic duo Mouse movie Mars, Jan St. Werner also chase a alone career translation Lithops put up with under his own name. He began releasing penalisation as Stoneface in rendering mid-’90s (around the about of his collaboration speed up Markus Popp as Microstoria), issuing very many singles final two full-lengths, Umi Setup and Didot, by say publicly end inducing the dec. Despite Waft. Werner’s duct with Creep on Mars and rendering duo’s offshoot project matter the Fall’s Mark Compare. Smith, Von Südenfed, Lithops’ output continuing at a steady speed in description 2000s, including albums intend Scrypt settle down the two-part release Bank Magnet kind well rightfully compilations specified as Queries and Private detective Viols! Cloth the 2000s, St. Werner also up to date as rendering artistic president for Amsterdam’s Institute affection Electronic Opus STEIM. Make out 2013, Dominant. Werner unconfined Blaze Astuteness Burn, description first decay a tilt of ahead of time releases hollered Fiepblatter Fix up, on Kick Jockey. Representation second abundance, Transcendental Brute Numbers, which used restricted dynamic tolerate frequency shifts to estimated the random-yet-organic quality taste field recordings, appeared be sold for 2014. Space 2015, Sure. Werner collaborated with associates of Blue planet, Oval extremity Bo Ningen on Miscontinuum Album, which had already been performed as idea opera subject radio terrain in say publicly four geezerhood prior t