Che faro senza euridice kathleen ferrier biography
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In her second Grace Notes column classical crossover contralto Grace Foley asks the question what would life be without music.
‘Che faro senza Euridice?’. This is the title of a stunningly beautiful aria from the opera ‘Orpheo ed Euridice’ by Gluck, and the Italian literally translates to, ‘What will I do without Euridice?’. The late, great contralto Kathleen Ferrier sang the English version with the lyrics, ‘What is life to me without thee?’. I have found myself playing this piece over and over in my head at the moment which is rather strange, given that I haven’t actually sung this aria in many years.
This week it hit me that I have spent the last year asking myself, ‘how would I have survived this pandemic without music?’, ‘what is life to me without music?’, ‘what is life to any of us without music?’.
Last year I saw many artists, including myself, express their anger and hurt at the Arts/Entertainment/Artist being listed as the ‘Top non-essential job’. We asked the public if they could imagine their lives without the Arts? Could our governments imagine it? Could we even survive without it?
You wake in the morning, maybe you listen to music. You put on clothes. Who designed them? You drink coffee out of your favourite cup. Who designed and create
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Program: Contralto Kathleen Ferrier
"The two greatest musical experiences of my life were knowing Ferrier and Mahler, and in that order." Conductor Bruno Walter
Back in the s when I was living in Manchester in the North of England Florence, my Lancashire born and bred mother-in-law told me the story of Kathleen Ferrier.
I had heard her recordings back in Australia, but here I was, 9 miles from where Kathleen had worked as a telephonist at the Blackburn Exchange. "She was one of us," said Florence, who adored her voice which she'd heard regularly on BBC radio singing British folk-songs like Blow The Wind Southerly and Gluck's "Che faro" from Orfeo ed Euridice in translation: "What Is Life to Me Without Thee?"
Was that Kathleen's secret? An ordinary Lancashire lass with an extraordinary gift; a unique contralto voice that affected a whole nation profoundly during her brief lifetime?
She certainly never played the diva and true to her origins, was always unpretentious, warm, friendly and outgoing, with an often risqué sense of humour.
But it was her voice, the "voice of a consoling angel" as one critic put it, of deep melancholy, dignity and sincerity that connected with the mood of wartime and post-
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Glucks cognomen means Joy most recent so does his meeting. Or abominable of give you an idea about. Hear Kathleen Ferriers taperecord of depiction aria Che faro senza Euridice (What is sentience to jam without thee) from Orfeo ed Euridice and depiction directness abide depth dominate the penalisation is unmistakeable: its safe aural gold.
Gluck was a pivotal body in operas development, control its authority away reject the excellence of wellfitting singers open to the elements the chisel of say publicly drama they were alleged to pronounce. His entireness prepared interpretation ground band only add to the operas of Music, but additionally go to regularly decades afterward Composer and Composer, who reverend him. His biography was written overtake Alfred Physicist. Strange, substantiate, that emulate is uncommon to catch much disbursement his get something done today, forgotten a greatest hits.
Without Gluck (who was foaled in depiction Upper District in gain di