Verlust fanny mendelssohn biography
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Fanny Hensel, née Mendelssohn (1805-47), was an exceptionally gifted musician whose potential was stifled by the gendered social conventions of her upper-middle-class background in mid-19th-century Berlin. She came from a wealthy and cultivated family, distinguished especially by its women. Alongside her brother Felix, she enjoyed an excellent general and musical education throughout her childhood, but while he was encouraged to pursue music professionally, she was prevented from doing so by her father. Nevertheless, music remained centrally important to her within private spaces such as the salon.
In 1825, the Mendelssohns moved to Leipziger Straße 3, a large property which allowed the family to establish one of the most impressive musical salons of the century. In 1829, Fanny Mendelssohn married the painter Wilhelm Hensel, whose active support of her gifts meant that – exceptionally –marriage and motherhood did not spell the end of her compositional life. She collaborated closely with her husband in a purpose-built studio, Hensel responding to her music with drawings, and she composing songs to his poetry.
From 1831, Mendelssohn organised the Sonntagsmusiken, informal private concerts in the garden room of the family home which involved attendees as impressive as Lis
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Fanny Mendelssohn
19th-century German pianist and composer
Fanny Mendelssohn[a] (14 November 1805 – 14 May 1847) was a German composer and pianist of the early Romantic era who was known as Fanny Hensel after her marriage. Her compositions include a string quartet, a piano trio, a piano quartet, an orchestral overture, four cantatas, more than 125 pieces for the piano and over 250 lieder, most of which were unpublished in her lifetime. Although lauded for her piano technique, she rarely gave public performances outside her family circle.
She grew up in Berlin and received a thorough musical education from teachers including her mother, as well as the composers Ludwig Berger and Carl Friedrich Zelter. Her younger brother Felix Mendelssohn, also a composer and pianist, shared the same education and the two developed a close relationship. Owing to her family's reservations and to social conventions of the time about the roles of women, six of her songs were published under her brother's name in his Opus 8 and 9 collections. In 1829, she married artist Wilhelm Hensel and, in 1830, they had their only child, Sebastian Hensel. In 1846, despite the continuing ambivalence of her family towards her musical ambitions, Fanny Hensel published a collection of songs as