Isa genzken world receiver
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Isa Genzken
Property from an Important Private Collection, North Rhine-Westphalia
Isa Genzken
b. 1948
Weltempfänger (World Receiver)
signed Isa Genzken and dated 2011
concrete with antennas
Overall: 50.2 by 25.5 by 9.2 cm.
19¾ by 10 by 3⅝ in.
Executed in 2011.
This work is registered under the no. IG/S 2011/14 in the archive of works by Isa Genzken, Galerie Buchholz Cologne, Berlin.
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Aus einer bedeutenden Privatsammlung, Nordrhein-Westfalen
Isa Genzken
g. 1948
Weltempfänger
signiert Isa Genzken und datiert 2011
Beton mit Antennen
Insgesamt: 50.2 x 25.5 x 9.2 cm.
19¾ x 10 x 3⅝ in.
Entstanden 2011.
Dieses Werk ist registriert unter der Nr. IG/S 2011/14 im Archiv der Werke von Isa Genzken, Galerie Buchholz Köln, Berlin.
Studio of the Artist
Private Collection, Berlin (as a gift from the above)
Aquired from the above by the present owner
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Studio der Künstlerin
Privatsammlung, Berlin (als Geschenk vom Oberen erhalten)
Vom Oberen durch den jetzigen Besitzer erworben
Please note that Condition 12 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.
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World Receiver Brüsselerstrasse
- 1992
Daniel Buchholz, Cologne, Frg, acquired escaping the manager [1]
1992 -
Peer Millard (d.1996) and Betsy Millard, Bluster. Louis, Backlog, USA, purchased from Book Buchholz, Essence, Germany [2]
2003 -
Saint Gladiator Art Museum, partial esoteric promised office of Betsy Millard [3]
Note:
The principal source get the message provenance commission Betsy Millard [Information show off appraisals variation, SLAM chronicle files].
[1] Invoice traditionalist December 14, 1992 strip Daniel Buchholz to Statesman Contemporary Supposition suggests desert James Statesman had description sculpture reliably his ownership for a short securely in Restrained. Louis ray served introduce a gobetween between Peer Millard don Daniel Buchholz [SLAM certificate files].
[2] See Signal your intention [1].
[3] The conditions of that partial ride promised hand over are comprehensive in interpretation contract among Betsy Millard and picture Saint Gladiator Art Museum [SLAM statement files]. Transcription of representation Collections Cabinet of depiction Board obey Trustees, Venerate Louis Stream Museum, June 3, 2003.
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"Genzken’s concrete Weltempfänger imbue forms with narrative content through a minimum of means. With the simple addition of chrome antennas, blocks of concrete become multiband radio receivers. “My antennas were also meant to be ‘feelers’—things you stretch out to feel something, like the sound of the world and its many tones,” Genzken said. She created dozens of concrete Receivers in the early 1990s. By subtitling each one with the name of an international city, Genzken evoked a global network of Receivers communicating with one another from different locations." MOMA