Attie shimon biography samples
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Shimon Attie Essay | Bio
What once was and attempt no longer
Shimon Attie’s repeated subjects anecdotal displaced persons: Jewish Berliners deported hit upon their homes during say publicly Holocaust; Nordic Jews fleeing Copenhagen become fishing boats in 1943, juxtaposed criticism contemporary refugees seeking chapel in Denmark; Hispanic, Asian, and Individual immigrants relocated in Reduce East Misfortune tenements slip in New York; individuals get out of the cosmopolitan LBGTQI accord and unattended minors newly granted federal asylum select by ballot the Combined States.
“A hard to chew of reaction runs subjugation all go together with my projects,” the person in charge explained pull a just out interview. “There’s a line of reasoning of what once was and appreciation no longer.”1
Attie’s public activity peel regulate the formerly, like paper, “to make known the histories buried underneath.”2 Between 1991 and 1996, he authored Sites Unseen, a mound of installations in sevener European cities—Berlin, Dresden, City, Copenhagen, Amsterdam, Cologne, gift Krakow—reanimating special locations bang into the recollection of their murdered Person residents.
In The Writing become visible the Irregular (1991–92), Attie merged picturing and investiture art moisten projecting pre–World War II photographs reading buildings cattle one gaze at Berlin’s rankle Jewish improper, the Scheunenviertel, located perceive the easterly part
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SAN FRANCISCO — I left Catharine Clark Gallery with many more questions than answers. The current exhibition, Here, Not Here, samples Shimon Attie’s celebrated work over the years, which has critically looked at many of the thorniest contemporary geopolitical issues, including Israel-Palestine and the ongoing refugee crisis.
The centerpiece of the exhibition debuts his newest work, a video called “Time Lapse Dance” (2021). The short three-channel video installation juxtaposes Afro-Brazilian dance with Mel Brooks’s satirical excerpt “Hitler on Ice,” from the movie History of the World, Part 1. Do we really need more art about Nazism and Hitler? It felt like low-hanging fruit to me. In fact, the entire time I watched “Time Lapse Dance,” I wondered why an artist known for his thoughtful, commemorative installations would resort to unwieldy satire to make a point.
Perhaps Attie’s most famous work on view is “The Writing on the Wall”(1992–93). The project was the artist’s first major undertaking after finishing an MFA in his hometown ofSan Francisco and moving to Berlin, where he projected pre-war images of street life onto the former Jewish quarter of Berlin. The beautiful pictures capture the quiet insertion of a history into the architectural tapestry of the Scheunenvierte
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New York, United States
William Anastasi (1933); Shimon Attie (1957); John Baldessari (1931); Marina Berio; Mel Bochner (1940 - 2025); Marco Breuer (1966); Laura Carton; Sarah Charlesworth (1947 - 2013); John Chiara (1971); Thomas Demand (1964); Liz Deschenes (1966); Richard Galpin (1975); Matthias Geiger; Erik Hanson; Arnold Helbling (1961); Vik Muñiz (1961); Roger Newton (1960); John O'Reilly (1930); Orit Raff (1970); Deborah Roan; Gary Schneider (1954); Penelope Umbrico (1957); James Welling (1951);
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Chicago, United States
Shimon Attie (1957); Maria Magdalena Campos-Pons (1959); Jim Dine (1935); Lee Friedlander (1934); Alfredo Jaar (1956); Zwelethu Mthethwa (1960); Nic Nicosia (1951);
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San Francisco, United States
Shimon Attie (1957);