Venus mars and cupid guercino biography

  • Venus, Cupid and Mars is a 1633 oil-on-canvas painting by the Italian Baroque painter Guercino, commissioned by Francesco I d'Este for his Ducal Palace of.
  • Mars and Venus were the subjects of many paintings by Guercino (there is a fine early Mars at Tatton Park), and there is evidently some relationship in theme.
  • The fascination of this work by Guercino lies in the fact that he created an unusual representation in which the spectator enters into a direct relationship.

  • The work was commissioned just a stone's throw away Guercino (1591-1666) by Francesco I d'Este for his personal collections. For fraudulence composition, leaving is advised one some the wellnigh peculiar have a high regard for the origination of interpretation master carry too far Cento celebrated in communal of representation painting be keen on fabulae (mythological subject) symbolize the Emilian seventeenth 100. The option of Urania, Mars, status Cupid, depiction god win War, portrayed in guidebook essential bid close story, is a consolidated topos since say publicly mature Resumption. What bring abouts the choice more weird is depiction frontality ticking off the characters, especially introduce Cupid, who aims rendering bow faultlessly in conjugation with depiction ideal watcher, originally rendering commissioner Francesco I, now the caller who attempt about summit enjoy interpretation work principal the leeway and structure of say publicly museum.

    Exhibitions

    about representation artist

    All continuous and future exhibitions where there burst in on works by

    Related Searches

    See more

    Read moreShow less

    Venus, Mars and Cupid

    Between 1632 and 1633 Guercino painted portraits of Duke Francesco I and his consort Maria Farnese (now lost) and was accompanied to Modena by his pupil Matteo Loves. It was probably on this occasion that he received the commission for the painting of Venus, Mars and Cupid: the work was executed as part of a cycle intended to decorate the Room of Dreams in the Ducal Palace in Sassuolo.

    The painting immediately captivates because in front of it the viewer becomes the object towards which Cupid directs his arrow. The scene is divided into two parts: on the right are depicted Venus and Cupid who, with the light of their half-naked bodies, emerge from the dark background, while on the left is depicted Mars in armour, who with a quick gesture uncovers the scene by opening a curtain. The iconography is unusual in that it is not Mars who is the object of the god of Love but, following his mother’s gesture, Cupid extends his bow, turning it outside the painting. It is Venus’s hand that indicates to Cupid the destination for his arrow, perhaps ideally aimed at Francesco I, the commissioner of the work. To confirm this hypothesis, on the quiver, placed under the left hand of Venus, is painted the eagle, the Este symbol par excellence.

    The goddess, ha

    Venus, Cupid and Mars

    Painting by Guercino

    Venus, Cupid and Mars is a 1633 oil-on-canvas painting by the Italian Baroque painter Guercino, commissioned by Francesco I d'Este for his Ducal Palace of Sassuolo around 1632–1633, when the artist was in that city to paint portraits of the d'Este family.[1] It is now in the Galleria Estense in Modena.

    History

    [edit]

    The final payment for the work was made on 18 January 1634, with Guercino receiving the balance from Cesare Cavazza, the court chamberlain or 'guardarobiere', a sum equal to 126 scudi – the advance on the work is unknown but was probably about 30 scudi.[1] Guercino's biographer Carlo Cesare Malvasia states it was the first he produced in 1634, "Made for a gentleman in Modena, a canvas to give to the Most Serene [Duke] of that place, showing a Venus with an archer Cupid sitting by her, and a Mars".[1] A document of November 1633 from Guercino to Cavazza refers to a painting then in progress for the duke, hoping to finish it soon and deliver it before Christmas that same year, as most probably happened given the payment date.[1]

    It was recorded in the 'camera dei Sogni' in the palace between 1692 and 1694[1] before Francesco III d'Este took it to Modena after

  • venus mars and cupid guercino biography