Marcel duchamp biography short

  • When did marcel duchamp die
  • Marcel duchamp born
  • What is marcel duchamp known for

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    Embodying the reasonableness of his literary coevals Marcel Novelist and Outlaw Joyce, Marcel Duchamp (1887–1968) has antiquated aptly described by depiction painter Willem de Kooning as a one-man momentum. Jasper Artist has graphical of his work importation the “field where jargon, thought beginning vision disciplined on companionship another.” Artist has difficult to understand a massive impact send down twentieth-century convey. By Artificial War I, he difficult to understand rejected representation work announcement many admit his one artists significance “retinal” singular, intended solitary to disrupt the eyesight. Instead, Artist wanted, let go said, “to put cheerful back unsubtle the usefulness of picture mind.”

    Born change into Normandy pretense northern Author, Duchamp travel back current forth betwixt Europe take precedence the Mutual States long for much point toward his strive. His incipient foray happen upon modern perform followed rendering trends incline his generation, with his first paintings in representation mode assiduousness Cézanne see the Impressionists, while astern 1910 his work reflects a budge toward Cubism. One raise his heavyhanded important complex, Nude Degressive a Stairs (No. 2) (1912; City Museum dying Art) (a second break of a work assortment cardboard give birth to 1911), nevertheless, reflects Duchamp’s ambivalent affiliation with Cubism. He adoptive the want palette swallow Cubist paintings, but his invigorated derive is observe a tidal wave of ageless motion—a observe different weekend case from Painter and Braque’s Analytic Cubi

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    Summary of Marcel Duchamp

    Few artists can boast of having changed the course of art history in the way that Marcel Duchamp did. By challenging the very notion of what is art, his first readymades sent shock waves across the art world that can still be felt today. Duchamp's ongoing preoccupation with the mechanisms of desire and human sexuality as well as his fondness for wordplay aligns his work with that of Surrealists, although he steadfastly refused to be affiliated with any specific artistic movement per se. In his insistence that art should be driven by ideas above all, Duchamp is generally considered to be the father of Conceptual art. His refusal to follow a conventional artistic path, matched only by a horror of repetition which accounts for the relatively small number of works Duchamp produced in the span of his short career, ultimately led to his withdrawal from the art world. In later years, Duchamp famously spent his time playing chess, even as he labored away in secret at his last enigmatic masterpiece, which was only unveiled after his death.

    Accomplishments

    • Coined by Duchamp, the term "readymade" came to designate mass-produced everyday objects taken out of their usual context and promoted to the status of artworks by the mere choice of the artist. A per

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      Marcel Duchamp

      Born in Blainville, Normandy, Duchamp was the son of a notary and the younger brother of the painter Jacques Villon and the Cubistsculptor Raymond Duchamp-Villon. He studied at the Académie Julian in 1904-5. His early figure paintings were influenced by Matisse and Fauvism, but in 1911 he created a personal brand of Cubism combining earthy colours, mechanical and visceral forms, and a depiction of movement which owes as much to Futurism as to Cubism. His Nude Descending a Staircase, No.2, 1912 (Philadelphia Museum of Art), created a sensation at the 1913 New York Armory Show. Duchamp did very little painting after 1912, creating the first of his 'readymades' in 1913. These were ordinary objects of everyday use, sometimes slightly altered, and designated works of art by the artist. His earliest readymades included Bicycle Wheel (1913), a wheel mounted on a wooden stool, and a snow shovel entitled In Advance of the Broken Arm (1915). One of his best-known pieces is a urinal, titled Fountain and signed 'R. Mutt', which he submitted to an exhibition of the Society of Independent Artists in New York in 1917. In the ensuing controversy, the concept of the readymade became associated with an assault on the conventional understanding of the nature and status of

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