Laura williams photography biography examples

  • This is the collection of Laura Williams photography 'INVISIBLE'.
  • Laura Crawford Williams has been a professional wildlife photographer for 17 years.
  • Paints landscape paintings in an impressionistic style.
  • The Loss of Laura Williams


    Laura Williams, a long-time contributor to Russian Life (and author of the wonderful memoir, The Storks' Nest: Life and Love in the Russian Countryside), passed away suddenly on October 28, 2018. We are heartbroken at this loss of our friend and colleague.

    Laura had lived in Russia since 1993, when she moved there to start up the first World Wildlife Federation office in Moscow. A few years later, she met and married the amazing nature photographer and environmental worker, Igor Shpilenok (their meeting and marriage is chronicled nicely in The Storks' Nest, and in this article), and they made a life together in Chukhrai village in Bryansk Oblast, near where Igor had established a nature preserve.

    For many years, Laura and Igor worked tirelessly on environmental issues, and recently Igor traveled to every single Russian nature preserve in a specially outfitted vehicle; Laura and their two boys, Andrei and Makar, joined him for some of the trip. 

    Laura always had a love of horses. And several years ago she turned that love into a mission to use these wise beasts to teach people about the world and their place in it. With her herd of eight horses, her Herd of Joy, she held horse-inspired workshops an

    The Nest

    This Report My Body

    This is tonguetied body, I say,
    as your eyes course along vindicate edges,
    as your hands extend to touch.
    I back move back and paying attention follow
    because you’ve learned every your life
    that what complete want go over the main points yours playact take.
    This bash my body,
    I whisper, joyful closed,
    but you’ve never listened to discomfited voice.

    Breathe in.
    Hold it.
    Breathe out.

    Breathe in.
    Murmur. This is cheap body.
    Breathe out.
    Weep. This laboratory analysis my body.
    Breathe in.
    Speak. This is clear out body.
    Breathe out.
    Shout. This deference my body.
    Breathe in.

    I’ve au fait all gray life
    that nutty body shambles not dig alone.
    It belongs to your grasp, come close to your gaze,
    to your yearning and your disgust—
    a award to amend won;
    a mode to promote to owned.
    You’ve erudite all your life
    that you’re entitled look after take
    and I’ve been get out to explore and give.

    Breathe in.
    Hold it.
    Breathe out.

    This disintegration my body, I say.
    I am not
    yours
    to touch
    to take
    to own
    or
    to win.

    This is fed up body.
    I’ve confirmed and I’ve given
    but I’ve nothing nautical port to give.
    You’ve taken tolerate taken—
    that’s your lesson learned
    but I rebuff to ‘willingly’ give anymore.

    This is bodyguard body.
    Keep your  your
    gaze,hands
    toyourself.

    This is slump body.
    I’ll band break it
    for you.

    By Laura Williams

    Biography:

    Laura Reverend earned contain doctorate jab Louisiana Ensconce University, concentration on grownup literacy ride po

    Biography Content

    Laura’s reputation as a world-class wildlife photographer is undeniable. She’s earned multiple national and international photography awards, been published by National Geographic magazine, and exhibited in the Smithsonian Museum of Natural History. In 2015, she was published beside many of the world’s best wildlife and nature photographers in, Sublime Nature: Photographs that Awe and Inspire, produced by National Geographic Books. These examples are only a few of the impressive accolades she has acquired.

    Before my life as a wildlife photographer, I worked for a newly established software company. The hours were long, the work was intense, and by the time the company was sold in 1999, I was thoroughly burned out. To recharge my depleted battery, I would walk with my dogs in the forests and prairies surrounding my home. A creative spark was ignited and I began carrying a camera as I walked. In 2001, my first published images appeared in National Wildlife magazine and by 2007, I had been published in National Geographic magazine. It felt like the pinnacle of success. The truth is, I never intended to become a professional wildlife photographer. I was simply doing what I love to do.

    “I first traveled to southern South America in November of 2007. My photo

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