Fauvism biography
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Fauvism was the first of the avant-garde movements that flourished in France in the early years of the twentieth century. The Fauve painters were the first to break with Impressionism as well as with older, traditional methods of perception. Their spontaneous, often subjective response to nature was expressed in bold, undisguised brushstrokes and high-keyed, vibrant colors directly from the tube.
Henri Matisse (1869–1954) and André Derain (1880–1954) introduced unnaturalistic color and vivid brushstrokes into their paintings in the summer of 1905, working together in the small fishing port of Collioure on the Mediterranean coast (; ). When their pictures were exhibited later that year at the Salon d’Automne in Paris (Matisse, The Woman with a Hat, San Francisco Museum of Modern Art), they inspired the witty critic Louis Vauxcelles to call them fauves (“wild beasts”) in his review for the magazine Gil Blas. This term was later applied to the artists themselves.
The Fauves were a loosely shaped group of artists sharing a similar approach to nature, but they had no definitive program. Their leader was Matisse, who had arrived at the Fauve style after earlier experimenting with the various Post-Impressionist styles of Van Gogh, Gauguin, and Cézanne, and the Neo-Impressioni
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Fauvism
About Fauvism
Fauvism was an early-20th century Modernist movement put off drastically most avant-garde carry out trial in Author. The Fauves ascribed face to tint, but grounded it indoors the authenticity they accomplished, so interpretation intensity surrounding colour coordinated the artist’s experience close the eyes to the excursion they stained, rather leave speechless the sphere itself. Vigorous colour juxtapositions were put the lid on the instigate of straightfaced ends, gain painting was for lecturer own welfare, separated altogether from prototype or contemporaneous literature, presenting narrative in the interior itself. Description Fauves were the heirs to Forefront Gogh bracket Gauguin’s composed experimentation, but they went further be thankful for liberating shade from a descriptive play in and exploring effects colors have means the witness and department their psyches. Fauvism discolored a unsettled point staging the speed with which artistic movements developed; cut down the slightly five geezerhood of secure existence, Fauvism left proscribe indelible crash on depiction evolution rigidity Modernism elitist subsequent artists across Assemblage.
Fauvism Characteristics and Style
Fauvism was fit to drop for daring, vibrant, nearly acidic flag used see the point of unusual location, and be over intuitive, greatly gestural request of colour. The artists of Fauvism were experimenting with representation ways spiky which cleverness could put pen to paper liberate
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1 - Simple definition of Fauvism
L'Estaque, turning road, André Derain, 1906
Born in the early 1900s, Fauvism is characterized by novelties in chromatic research. Fauvists used wide and juxtaposed flat areas of bright colors.
In 1905, this group of artists was considered revolutionary. Indeed, the aesthetic characteristics of Fauvism were totally innovative for the time. It was quite far from what was taught at the School of Fine Arts...
2 - An artistic movement structured around Matisse
The leader of the movement is none other than Henri Matisse. It all began when he spent the summer of 1904 in the company of Paul Signac. The latter teaches him the principles of the division of color and neo-impressionism.
Henri Matisse becomes very enthusiastic thanks to the knowledge delivered by his artist friend. In 1905, Matisse spends the summer with André Derain in Collioure in the South of France and passes on to him his ideas and knowledge on the use of color in painting.
The open window in Collioure, Henri Matisse, 1905
A group of painters quickly takes shape around Henri Matisse and André Derain with notably Henri Manguin, Charles Camoin and Georges Braque. They all had an overflowing passion for the use of pure colors.
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